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Vogue December 1957 - Henry Clarke - Framed art Print

In Stock

Regular price £55.00 (Unframed)

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  • Framed print by Henry Clarke.
  • Buy this print framed for £165.
  • Buy this print unframed for £55.
  • Framed size is 62 x 62 cm.
  • Other print sizes and frame styles are available.



Time to despatch:

The estimated shipping dates are shown against each product. The anticipated shipping date and delivery dates will be calculated on the check out page before you check out.

Unframed prints are usually shipped on the next working day if ordered before 2pm. Framed items can take one or two working days longer with our experts in the framing workshop.

Express services:

Express service for unframed print and posters by Royal Mail Special Delivery to arrive the next working day for an additional cost. Framed prints are always shipped by express courier.

Shipping Fees:

UK - £3.95 for unframed items by 1st Class Packetpost
UK - £6.90 for unframed items by Royal Mail Special Delivery
UK - £8.95 for framed items.

International - Shipping is calculated before you check out according to destination.
International - Unframed by Registered AirMail or by premium express courier (select at checkout).
Very large prints are always sent by express service.
International - Framed by premium express courier (select at checkout).

Duities and VAT:

EU countries pay no VAT but will be liable to local taxes or duties.
Please be advised! - International orders may be liable to local taxes or duties when they enter your country.

About the artist

Born in 1918 in Los Angeles, Henry Clarke became well known for his fascinating snapshots of the glamorous world of haute couture during the 1950s and 1960s. In 1946, he relocated to New York, securing a job crafting backdrops at Vogue's photography studios.

He had the opportunity to work with the likes of Cecil Beaton, Irving Penn, and Horst P Horst - each possessing incredibly unique styles and techniques. Clarke's role was to arrange the sets, an experience that enriched his understanding of their different approaches.

Clarke was fortunate to secure a spot at the esteemed New School for Social Research, under the tutelage of the legendary Alexey Brodovitch. Here, he refined his technical photography skills, while also absorbing insights on merging the fantastical element of fashion photography with the raw immediacy of photojournalism.

Over time, Clarke became a staple photographer for Vogue, crafting a unique aesthetic that seamlessly blended high fashion with a journalistic approach, giving birth to a style that was both elegant and grounded in reality.

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