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Vogue 20 March 1929 - Pierre Mourgue - Framed art Print

In Stock

Regular price £55.00 (Unframed)

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  • Framed print by Pierre Mourgue.
  • Buy this print framed for £165.
  • Buy this print unframed for £55.
  • Framed size is 62 x 47 cm.
  • Other print sizes and frame styles are available.



Time to despatch:

The estimated shipping dates are shown against each product. The anticipated shipping date and delivery dates will be calculated on the check out page before you check out.

Unframed prints are usually shipped on the next working day if ordered before 2pm. Framed items can take one or two working days longer with our experts in the framing workshop.

Express services:

Express service for unframed print and posters by Royal Mail Special Delivery to arrive the next working day for an additional cost. Framed prints are always shipped by express courier.

Shipping Fees:

UK - £3.95 for unframed items by 1st Class Packetpost
UK - £6.90 for unframed items by Royal Mail Special Delivery
UK - £8.95 for framed items.

International - Shipping is calculated before you check out according to destination.
International - Unframed by Registered AirMail or by premium express courier (select at checkout).
Very large prints are always sent by express service.
International - Framed by premium express courier (select at checkout).

Duities and VAT:

EU countries pay no VAT but will be liable to local taxes or duties.
Please be advised! - International orders may be liable to local taxes or duties when they enter your country.

About the artist

Pierre Mourgue (1890–1969) was a valued contributor to La Gazette du Bon Ton, a top French fashion magazine. This influential publication, distributed in America by Condé Nast under the name Gazette du Bon Genre, showcased works from a variety of talented French artists like Paul Iribe, Pierre Brissaud, and Georges Lepape, all of whom were also tapped for Condé Nast's Vogue.

Residing in Paris but often venturing to New York, Mourgue's distinctive illustrations frequently graced the pages and covers of Vogue magazine, infusing it with a touch of Parisian style. His utilization of ink and gouache introduced a unique elegance to the American edition.

Mourgue's artistic style seamlessly flowed with changing trends and art movements. His early works bear a pronounced Art Deco influence, while his later creations in the 1940s and 1950s echo the characteristic American advertising illustrations of the time. His art, often compared to Pierre Brissaud's, is recognised for its exaggerated figures and penchant for pretty girls.

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