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Flowers and Studio, 1915 - Vanessa Bell - Framed art Print

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Regular price £10.00 (Unframed)

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  • Framed Modern Art art print (36 x 28 cm) by Vanessa Bell.
  • Buy this print framed for £75.
  • Buy this print unframed for £10.
  • Framed Size is 36 x 28 cm.
  • Other print sizes and frame styles are available.
  • To buy, or to see more size and frame options, select 'Choose frame'..

About this artwork

Vanessa Bell was a Brit who excelled in painting and interior design, and was part of the Bloomsbury Group. This was a collective of English artists, writers, thinkers, and philosophers who made a name for themselves in the first half of the 1900s. One of Vanessa's stand-out pieces was 'Flowers and Studio' which she created in 1915. It's a still life that really embodies the vivid hues and striking shapes typical of abstract art.



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Unframed prints are usually shipped on the next working day if ordered before 2pm. Framed items can take one or two working days longer with our experts in the framing workshop.

Express services:

Express service for unframed print and posters by Royal Mail Special Delivery to arrive the next working day for an additional cost. Framed prints are always shipped by express courier.

Shipping Fees:

UK - £3.95 for unframed items by 1st Class Packetpost
UK - £6.90 for unframed items by Royal Mail Special Delivery
UK - £8.95 for framed items.

International - Shipping is calculated before you check out according to destination.
International - Unframed by Registered AirMail or by premium express courier (select at checkout).
Very large prints are always sent by express service.
International - Framed by premium express courier (select at checkout).

Duities and VAT:

EU countries pay no VAT but will be liable to local taxes or duties.
Please be advised! - International orders may be liable to local taxes or duties when they enter your country.

About the artist

Vanessa Bell, a British painter and designer (1879-1961).She was key figure in the Bloomsbury Group, like her husband Clive Bell and sister, Virginia Woolf. Her early work until 1910 and post-WWI pieces were tasteful, upholding the New English Art Club's traditions. However, during a brief period, she pioneered progressive ideas in British art. Influenced by the Post-Impressionist exhibits of her lover, Roger Fry, she started using vibrant colours and bold brushstrokes. By 1914, she had fully embraced abstract art. Her designs for Fry's Omega Workshops, such as a folding screen, bore Matisse's unmistakable influence.

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