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Sunset At Grace, Orange And Violet Sky , 1918 - Félix Vallotton - Framed art Print

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Regular price £40.00 (Unframed)

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Type: Art Print

Collections: 20th Century Artists,  Dusk,  Europe,  France,  Félix Vallotton,  Landscape,  Landscape & Seascape,  Modern Art,  Palm,  Places,  

PRODUCT DETAILS

  • Framed print by Félix Vallotton.
  • Buy this print framed for £150.
  • Buy this print unframed for £40.
  • Framed Size is
    • Framed print by Félix Vallotton.
    • Buy this print framed for £150.
    • Buy this print unframed for £40.
    • .
  • Other print sizes and frame styles are available.
  • To buy, or to see more size and frame options, select 'Choose frame'..

About this artwork

In the late 19th century, Félix Vallotton made quite a name for himself, famous for his sharp, humorous illustrations poking fun at the Parisian upper class. But then, in 1898, he married with Gabrielle Rodrigues-Henriques, a wealthy widow. No longer needing to rely on his illustrations for living expenses, Vallotton switched his focus to painting, developing a distinct, sharp style. Then in 1918, he created 'Sunset At Grace, Orange And Violet Sky', a serene landscape showing the sun dipping between two palm trees. With his dream-like use of colour and film-like composition, Vallotton's work continues to inspire a lot of artists even today.

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About the artist

Born on December 28, 1865 in Lausanne, Switzerland, Félix Vallotton was an artist of unique originality, despite not achieving the celebrity of his pioneering contemporaries. He carved a distinctive path through an array of artistic expressions, including portraits, satirical prints, interior narratives, landscapes, and still lifes.

His early talent in printmaking attracted the attention of artists Pierre Bonnard and Édouard Vuillard, leading to his inclusion in the Nabis group. Although he didn't quite fit in with the Nabis, it ushered him into a vibrant literary and bohemian circle. Through these relationships, Vallotton found a distinctive path, gaining prominence via his innovative satirical woodcuts for progressive left-wing publications.

Vallotton's journey didn't stop at printmaking. As his career matured, he shifted focus towards painting, applying his printmaking techniques to his works. His unique blend of Realism and Symbolism resulted in pieces that emanated an uncanny psychological tension. Vallotton's death occurred in Neuilly-sur-Seine, Paris, France on December 29, 1925, but his legacy persists in his compelling body of work.

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