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Point of Tranquility, (1959-1960) - Morris Louis - Framed art Print

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Regular price £60.00 (Unframed)

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Type: Art Print

Collections: 20th Century Artists,  Abstract,  Modern Art,  Morris Louis,  

PRODUCT DETAILS

  • Framed print by Morris Louis.
  • Buy this print framed for £250.
  • Buy this print unframed for £60.
  • Framed Size is
    • Framed print by Morris Louis.
    • Buy this print framed for £250.
    • Buy this print unframed for £60.
    • .
  • Other print sizes and frame styles are available.
  • To buy, or to see more size and frame options, select 'Choose frame'..

About this artwork

Morris Louis, an American artist, created 'Point of Tranquility' between 1959-1960. It was part of his 'Florals' series. The artist made these floral designs by flipping the canvas and pouring paint. Simultaneously, he patterned the acrylic layers. As the paint flowed and dried, it formed a flower-like structure. The seeping pigment gave birth to a thicker area at the center. This unique technique of pouring paint from various angles, instead of one fixed point, allows viewers to perceive the image from different perspectives.

SHIPPING

SHIPPING POLICY

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Unframed prints are usually shipped on the next working day if ordered before 2pm. Framed items can take one or two working days longer with our experts in the framing workshop.

Express services:

Express service for unframed print and posters by Royal Mail Special Delivery to arrive the next working day for an additional cost. Framed prints are always shipped by express courier.

Shipping Fees:

UK - £3.95 for unframed items by 1st Class Packetpost
UK - £6.90 for unframed items by Royal Mail Special Delivery
UK - £8.95 for framed items.

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International - Unframed by Registered AirMail or by premium express courier (select at checkout).
Very large prints are always sent by express service.
International - Framed by premium express courier (select at checkout).

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About the artist

Born in Baltimore as Morris Louis Bernstein in 1912, Louis studied at the Maryland Institute of Fine and Applied Arts from 1929 to 1933 on a scholarship. Despite leaving before graduating, he balanced odd jobs with his painting passion. In 1935, he was president of the Baltimore Artists’ Association, and from 1936 to 1940, Louis spent time in New York, associating with artists like Arshile Gorky, David Alfaro Siqueiros, and Jack Tworkov while working for the WPA Federal Art Project.

He returned to Baltimore in 1940, offering private teaching, and by 1948, Louis adopted the use of Magna acrylic paints. Moving to Washington, D.C. in 1952, he taught at the Washington Workshop Center of the Arts, forming a close bond with Kenneth Noland.

Impacted by Helen Frankenthaler's stain painting, "Mountains and Sea," during a 1953 visit, Louis, along with Noland, explored new paint application techniques. The result was his famous Veil paintings in 1954, featuring transparent colour layers poured onto canvas.

His first New York solo show at the Martha Jackson Gallery in 1957 ended with many destroyed paintings, yet Louis continued with the Veils in 1958–59. His artistic journey evolved with the creation of Florals, Columns, Unfurleds, and Stripe paintings, displaying opaque colour rivulets and large white fields from 1960 to 1962.

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