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The Courtyard of a House in Delft - Pieter de Hooch - Framed art Print

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Regular price £45.00 (Unframed)

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Type: Print On Demand Image

Collections: Classics & Masters,  Dutch & Flemish Classics,  Figurative,  National Gallery,  Netherlands,  Pieter de Hooch,  Pre 1900,  Woman,  

PRODUCT DETAILS

  • Framed Dutch & Flemish Classics art print (40 x 35 cm) by Pieter de Hooch.
  • Buy this print framed for £155.
  • Buy this print unframed for £45.
  • Framed Size is 40 x 35 cm.
  • Other print sizes and frame styles are available.
  • To buy, or to see more size and frame options, select 'Choose frame'..

About this artwork

"Dutch golden age artist Pieter de Hooch is the mastermind behind 'The Courtyard of a House in Delft', showcasing his exceptional talent for accurately portraying architecture. This painting was created during a time when family management theories were being widely discussed, especially with regards to the responsibilities of a housewife. The painting captures these concepts effectively, featuring a maid caring for a little girl while her mother gazes out at houses across the street. This reproduction is color-accurate to the original and has received the National Gallery's seal of approval. Each purchase contributes to the museum's ongoing work.

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Unframed prints are usually shipped on the next working day if ordered before 2pm. Framed items can take one or two working days longer with our experts in the framing workshop.

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UK - £8.95 for framed items.

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International - Framed by premium express courier (select at checkout).

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About the artist

The well known Pieter de Hooch (1629 - 1684?) was a celebrated painter primarily known for his depictions of women and children in their everyday domestic environments, such as 'The Courtyard of a House in Delft'. In his later years, his artwork reflected the fashionable lifestyle of Amsterdam, using darker and richer colour palettes.

Originating from the humble beginnings as the son of a bricklayer, de Hooch was born in Rotterdam. His artistic journey is said to have been influenced by Nicolaes Berchem, a prominent Dutch painter known for his Italianate landscapes. De Hooch's affiliation with the St Luke guild in Delft began in 1655.

The 1650s saw his work possibly reflecting the influence of Carel Fabritius's perspective studies, who was present in Delft by 1650. His artistic style also bears similarities to that of Johannes Vermeer, implying a likely interaction between the two.

By 1660, de Hooch relocated to Amsterdam, where records last mention him in 1679, around the time his son Pieter Pietersz de Hooch was admitted to the Amsterdam lunatic asylum. His last known artwork dates back to 1684, but the circumstances of his death remain a mystery.

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