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Humours of an Election II: Canvassing for Votes - William Hogarth - Framed art Print

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Regular price £40.00 (Unframed)

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Type: Art Print

Collections: Figurative,  Pre 1900,  Soane Museum,  William Hogarth,  

PRODUCT DETAILS

  • Framed print by William Hogarth.
  • Buy this print framed for £150.
  • Buy this print unframed for £40.
  • Framed Size is
    • Framed print by William Hogarth.
    • Buy this print framed for £150.
    • Buy this print unframed for £40.
    • .
  • Other print sizes and frame styles are available.
  • To buy, or to see more size and frame options, select 'Choose frame'..

About this artwork

Humours of an Election' is a collection of four oil paintings created by English artist William Hogarth in the 18th century. They tell the story of a parliamentary election in Oxfordshire back in 1754. 'Canvassing for Votes' is the second piece in the collection and shows Tory and Whig agents trying to sway an innkeeper's vote in their favor with bribes. The soldier standing in the doorway to the left and the soldiers seated at the table to the right symbolise untainted patriotism. This print is meticulously colour matched to the original and has the stamp of approval from Sir John Soane's Museum. Every sale of this print supports the museum's efforts.

SHIPPING

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UK - £8.95 for framed items.

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International - Framed by premium express courier (select at checkout).

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About the artist

Meet William Hogarth (1697 - 1764), the preeminent British artist of his era. Not just an English painter, he was also an engraver, social commentator, editorial cartoonist, and an occasional art theorist. Famous for his 'modern moral subjects' series, Hogarth sold engravings of these works by subscription.

In the early 1720s, after training as a silver plate engraver, Hogarth launched his own business in London. Meanwhile, he studied painting at the St Martin's Lane Academy under the mentorship of Sir James Thornhill, whose daughter he eventually married in 1729. Hogarth pioneered the concept of using sequential, anecdotal images to satirise social misconduct and underscore moral lessons, infusing his work with a potent blend of wit and hard-hitting directness.

Hogarth described his approach as akin to a dramatist, with his canvas as his stage and his subjects as his actors. However, his art extended beyond sermonizing, wielding satire to critique pedantry, affectation, and immorality. In 1735, he founded an academy in St Martin's Lane, a precursor to the Royal Academy.

Hogarth remains a towering figure in British art, his impactful work and his vibrant personality helped British artsists to break through the domination by foreign artists at the time.

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