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Way in 1963 - William Scott - Framed art Print

In Stock

Regular price £90.00 (Unframed)

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Type: Art Print

Collections: 20th Century Artists,  Abstract,  Abstract British,  Modern Art,  William Scott,  


  • Framed Abstract British art print (70 x 90 cm) by William Scott.
  • Buy this print framed for £245.
  • Buy this print unframed for £90.
  • Framed Size is 70 x 90 cm.
  • Other print sizes and frame styles are available.
  • To buy, or to see more size and frame options, select 'Choose frame'..



Time to despatch:

The estimated shipping dates are shown against each product. The anticipated shipping date and delivery dates will be calculated on the check out page before you check out.

Unframed prints are usually shipped on the next working day if ordered before 2pm. Framed items can take one or two working days longer with our experts in the framing workshop.

Express services:

Express service for unframed print and posters by Royal Mail Special Delivery to arrive the next working day for an additional cost. Framed prints are always shipped by express courier.

Shipping Fees:

UK - £3.95 for unframed items by 1st Class Packetpost
UK - £6.90 for unframed items by Royal Mail Special Delivery
UK - £8.95 for framed items.

International - Shipping is calculated before you check out according to destination.
International - Unframed by Registered AirMail or by premium express courier (select at checkout).
Very large prints are always sent by express service.
International - Framed by premium express courier (select at checkout).

Duities and VAT:

EU countries pay no VAT but will be liable to local taxes or duties.
Please be advised! - International orders may be liable to local taxes or duties when they enter your country.

About the artist

William Scott (1913-1989) was born in Greenock, Northern Ireland. He studyied art in Belfast and later at the Royal College of Art, London. Between 1937 and 1939, he lived and taught art in Brittany, France, where he discovered a profound connection with the tradition of French still-life painting, tying together 18th-century Chardin and Braque. Even when he briefly ventured into pure abstracts in the 1950s, his work always retained this linkage. Scott's creations often featured forms like circles and squares, rendered with a sensitive, painterly touch rather than geometric precision. In the late 1960s and 1970s, his style took on a more austere tone. Despite his work's narrow scope and quiet character, Scott became known as a leading British artist of his time, serving as a senior painting lecturer at Bath Academy of Art and frequenting the St Ives artistic community.

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